There's a true experimentation in the silent film era, in which a brand new technology is explored, as composer Ryan Cockerham and violinist Er-Gene Kahng explain when discussing tonight's Symphony of Horror at Giffels Auditorium in the UA's Old Main. Cockerham elaborates on how he used the latest technology to create grainy authenticity in his re-scoring F. W. Murnau's silent film Nosferatu. Find out more as Of Note's Katy Henriksen discusses the collaboration.
Use of New Technology to Make Sounds Authentically Old: A Re-scoring of Murnau's Nosferatu
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