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  • NPR's Robert Siegel sits down with Oscar Paz Suaznabar, who has played at Carnegie Hall, the Kennedy Center and on the NPR show From The Top.
  • The top bathroom in America is currently at Philadelphia's Longwood Gardens, where 17 commodious chambers are built into what the facility says is the largest "green wall" on the continent.
  • Germany's top federal prosecutor has opened an investigation that won't focus on wide spying activities attributed to the U.S. National Security Agency.
  • The City of Memphis will hold municipal elections on Oct. 3, with early voting starting in mid-September. Top candidates include incumbent Mayor Jim...
  • Fresh Air's resident rock historian remembers soul singer Lorraine Ellison, who recorded a handful of albums and dozens of singles in the '60s and '70s; though she charted a few R&B hits, she never quite broke through to stardom. Her biggest success was with the string-saturated ballad "Stay With Me," which topped out at No. 11 on the R&B charts and has since been covered by everyone from Bette Midler to teenybopper idol Rex Smith.
  • Billboard reports that last week was the best week for vinyl record sales in three decades. Adele's 30 was the top-selling vinyl album of the year. Taylor Swift's Red also broke vinyl sale records.
  • Forty years ago, Allan Sherman topped the pop charts by replacing the lyrics of folk songs with satires of Jewish American life. And in doing that, he offered a perfect snapshot of what it meant to assimilate.
  • The Black Eyed Peas are on a roll. They are out on tour supporting a CD that is near the top of the Billboard Album Charts. Monkey Business is the group's second release to win them fans nationwide.
  • In 1959, jazz pianist Dave Brubeck topped the pop charts and shook up the notion of rhythm in jazz with an odd-metered song called "Take Five." On the occasion of its golden anniversary and a new reissue of Time Out, Brubeck explains why it was such a hit.
  • For all its success, Death Cab for Cutie hasn't lost track of the accessible emotions that first attracted a devoted following. Ben Gibbard's vocals, always faintly familiar in a boy-next-door way, observe love and life with a resigned delicacy, and the band's songs are poetic and yearning but never over-the-top. Hear the band perform a session on World Cafe.
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