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The fictional band HUNTR/X from the hit Netflix film KPop Demon Hunters went from a group no one had ever heard of to one of the biggest pop acts of 2025. Now they have five Grammy nominations.
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The Simón Bolívar Symphony Orchestra's recording of Ravel's Boléro is up for a Grammy nomination for best orchestral performance. The recognition comes at a turbulent moment for Venezuela, but the orchestra remains focused on the music.
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Salvatore Geloso embodies the spirit of New Orleans through and through. His band inaugurates the first-ever Tiny Desk Contest takeover.
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This week, we've finally received an infusion of fresh blood in the form of a brand-new album and a brand-new song — by two different artists, no less! — debuting at No. 1.
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The two friends reconnect on Don't Be Dumb, Rocky's first album in eight years — and inadvertently demonstrate how much they've diverged as artists.
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In this new era of indie rock, yeule has become a leading voice. Their gauzy and sludgy songs are transformed at the Tiny Desk.
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Mezzo-soprano Denyce Graves is retiring from the stage after a last performance as Maria in the Gershwins' Porgy and Bess at the Metropolitan Opera, and looking ahead to directing and mentoring.
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Philip Glass is the latest to say he will not perform at the Kennedy Center.
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Álvaro Lafuente's calming voice and steady rhythms feel like a lullaby with a fiesta tilt. At the Desk, the Spanish singer transports us to a club in Barcelona or a beach on Costa Brava.
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Adrian Quesada's album "Boleros Psicodélicos II" came out June 2025.
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Bob Weir, the founding member of and guitarist for the Grateful Dead, was a pioneer in how rhythm guitar is played in rock music.
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Surrounded by family in the band and in the audience, John Fogerty bookends solo material with the rock and roll staples of Creedence Clearwater Revival.