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Gary Greff doggedly campaigns to keep the Enchanted Highway project moving forward -- and sets a world record. Tourist dollars begin to trickle in, but the fate of the town and the project is uncertain.

Imagine staying in business for 127 years. That's what Cross Western Wear has managed in Ogden, Utah. But the decline of ranching and changing taste in clothes are forcing the descendants of C.W. Cross to close the store he opened in 1878.

In Lawrence, Kan., the owner of the Journal-World newspaper applies ambitious news-gathering approaches to very local issues. The media company's efforts have sparked innovation, controversy — and no small amount of envy within the industry.

We're sure you've heard of Santana, but do you know Y La Bamba? This week's show features new music from icons and new artists alike.

Joshua Bell plays a Stradivarius violin built in 1713 that's been notoriously stolen a few times. On his latest CD, the young virtuoso borrows a few great classical melodies and transposes them. He discusses his results with NPR's Liane Hansen.

Amy Winehouse is a young Londoner who draws on the musical past while telling tales about love and ex-lovers. She combines '60s R&B and soul, blues and jazz. With a stack of black hair, an athletic trainer's body and a unique personal style, her look is as arresting as her subject matter.

A singer, musician, activist and poet, Patti Smith has spent the last three-plus decades as one of the most visible and iconic figures in punk and rock music. The musical icon joined WFUV host Rita Houston for an interview and in-studio performance.

The boisterous, California-based acid-jazz collective Greyboy Allstars delves deep into vintage soul on "How Glad I Am." Drawing on a snazzy groove, chicken-scratch guitar riffs and fatback horns, the song brings to mind the loose funk of Charles Wright's 103rd Street Rhythm Band.

Turandot, Puccini's extravagant portrayal of ancient China, is home to "Nessun dorma!" — one of music's most famous numbers — a soaring tenor aria that's been recorded by performers ranging from Franco Corelli and Placido Domingo, to the Twelve Girls Band and the Scottish Fiddle Orchestra.

With quirky melodies and a uniquely clever songwriting style, Sparks has remained one of the most innovative art-pop bands of the past three decades. While never gaining much more than a cult following, Sparks' peculiar brand of pop smarts has influenced everything from '80s synth-pop to Queen.