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  • Sara Gazarek's latest CD combines a singer-songwriter's mentality with jazz improvisation. It features arrangements of contemporary songs by Leonard Cohen, Paul McCartney and Gillian Welch among originals. Hear an interview and performance.
  • Paddy Casey may lay out a grim recitation of society's ills in "Fear," but he wisely keeps hope at the forefront of the mix, rooting his fears in parental love and letting a whiz-bang arrangement bury the dark subject matter in bright strumming and zinging synths.
  • The budding alt-pop icons bring their decidedly different sounds to WXPN's daytime concert series. Wainwright recently released the grandiose, theatrical Release the Stars, while Case shows up on The New Pornographers' forthcoming Challengers.
  • An air of regret often hangs over the group's bittersweet reunion album, Time on Earth. Still, "Don't Stop Now" more than lives up to the worthy tradition of Crowded House's brightly catchy, sweetly upbeat best.
  • Drummer Louis Hayes leads the Cannonball Adderley Legacy Band in a musical tribute to one of the most popular groups of the 1960s. Hayes is just the man to revive the hard-bop tunes, as he spent his 20s with the legendary alto sax player. Hear the concert recorded by JazzSet.
  • In Calef Brown's Flamingos on the Roof, mosquitoes wear tuxedoes, dogs sport plaid suits and thunder is a cafe staple. His new collection of poems and paintings creates a carefree world full of alliteration, frivolity and fun.
  • The improvisational rock guitar master and the electronic composer collaborate on a bittersweet, luminescent tune to usher in autumn.
  • Host Bob Boilen rejoins co-host Robin Hilton for this week's essential mix of new music, tales from Bob's week on the road and a heart-stopping amount of coffee.
  • With more than six million visitors from around the world, downtown Montreal hosts one of the world's biggest events of its kind. Hear some of the native talent on display this year.
  • These 12 previously unreleased recordings all shine a spotlight on Hendrix's considerable charisma, preserving the guitarist's work in amber while still polishing it up as good as new.
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