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A new book skewers today's mindless corporate culture via the e-mails of Martin Lukes, a fictitious, ambitious, forty-something middle manager who works for a company that makes nothing in particular.

Every time Andrew Hill takes a seat behind a piano, the jazz world takes note. "Time Lines" speaks to his brilliance at teetering between the worlds of the blues and the abstract. And it's one of the funkiest compositions in Hill's massive repertoire.

In New York City, construction has begun on one of the most unusual and innovative parks in the nation. The High Line project will transform an abandoned railroad overpass that spans 22 blocks on Manhattan's West Side into an urban promenade of green parkland.

As the U.S. Forest Service celebrates its 100-year anniversary, its mission has become more complex. Scientists are studying a vast network of plumbing under the forest floor that in the dry West is more valuable than the trees above.

American Idol winner Fantasia Barrino is climbing up the R&B charts. One of her songs, "Baby Mama," is a tribute to young, single mothers. But as her popularity grows, critics worry the song is sending the wrong message.

Detroit-based musician Kem has hit the No. 1 spot on urban and R&B music sales charts with "I Can't Stop Loving You," a single song from his latest self-produced CD Album II. Ed Gordon talks to Kem about making jazz-influenced music on his own terms.

A new generation of huge telescopes has helped astronomers discover distant planets and galaxies. But they're just the start. Mirrors for what is to be the world's largest telescope are being cast in Arizona.

A profile of Tony Schwartz, an innovative and inspired sound gatherer, recording the sounds of America since 1945. A man who will venture no further than his postal zone, Mr. Schwartz has made more than 30,000 home recordings in the streets, delis, cabs, playgrounds and stoops of his New York neighborhood.

NPR's Ari Shapiro talks with NPR music critic Ann Powers and music scholar Shana Redmond about how old and new protest music reflects political moments, following the Supreme Court overturning Roe.

Played on three string instruments, this music was the country's soundtrack from the turn of the 20th century to the 1940s.