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Many jazz standards are themselves about making lists. Here are five of them, including Louis Armstrong's take on "Let's Do It," Johnny Hartman's version of "These Foolish Things" and a classic reading of Jobim's "Waters of March."

Authorities issued their first ever "red" warning for extreme heat early next week. The alert covers large parts of England on Monday and Tuesday when temperatures may reach 104 F for the first time.

Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.

The Aces' full-length debut is a pop confectionery, and fit to be blasted from car stereos, but there's substance to its sweetness

Ever try to remember the nooks and crannies of your childhood home? This Chicago composer took it one step further.

Thirty years after his breakthrough hit "The Way It Is," the singer-keyboardist once again hits the sweet spot between joyful improv and immaculate songcraft.

Three Israeli sisters celebrate — and utterly transform — a trove of Arab-language folk songs that they inherited as Yemenite Jews, by tweaking them with electronic touches.

From sorrow, the music builds to a climax of intensity, and finally reaches serene acceptance. Commentator Rob Kapilow conducts a guided tour of Barber's best-known piece.

The Canadian singer grew up watching old movies and musicals in London, Ontario. She took those influences and turned them into an album that sounds both old-fashioned and timeless. Its title is The Cricket's Orchestra.

A 28-year-old Nashville singer-songwriter with a reticent demeanor and a fondness for offhand revelations, Combs sings subtly, without a lot of fuss.