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City of Grit, Part II: Recovering Beauty in a New Age of Blight

LueElla Marshall's "Art Cans" add color to Orange Mound street corners and give pedestrians a place to dispose of garbage. Even though her cans serve a public good -- reducing litter -- the city doesn't empty them. Marshall and her helpers are responsible for them. Marshall says there could be more cooperation between the city and community groups working to beautify their neighborhoods.
Christopher Blank/WKNO-FM
LueElla Marshall's "Art Cans" add color to Orange Mound street corners and give pedestrians a place to dispose of garbage. Even though her cans serve a public good -- reducing litter -- the city doesn't empty them. Marshall and her helpers are responsible for them. Marshall says there could be more cooperation between the city and community groups working to beautify their neighborhoods.
LueElla Marshall's "Art Cans" add color to Orange Mound street corners and give pedestrians a place to dispose of garbage. Even though her cans serve a public good -- reducing litter -- the city doesn't empty them. Marshall and her helpers are responsible for them. Marshall says there could be more cooperation between the city and community groups working to beautify their neighborhoods.
Credit Christopher Blank/WKNO-FM
LueElla Marshall's "Art Cans" add color to Orange Mound street corners and give pedestrians a place to dispose of garbage. Even though her cans serve a public good -- reducing litter -- the city doesn't empty them. Marshall and her helpers are responsible for them. Marshall says there could be more cooperation between the city and community groups working to beautify their neighborhoods.

The newsreel footage from the 1950s isn't a hoax: for years, Memphis indeed claimed the title “America’s Cleanest City." More than eight decades after Mayor E.H. “Boss” Crump created the Memphis City Beautiful Commission, the current Mayor is overseeing a much larger blight problem. Can beauty be restored?  

Filmmaker and historian Willie Bearden says that cleaning up Memphis, even in the 1930s, serves as another example of why Crump is considered the city's most powerful political figure. He got stuff done.

The entire riverfront at the time was a polluted eyesore. Then one day, Bearden says, “(Crump) was standing behind theCossittLibrary on Front Street and looking down there, and saw that Illinois Central train and it probably hit him like a bolt of lightning. What do these people think of us? This is ugly!”

To address the problem, Crump launched the Memphis City Beautiful Commission, the first of its kind in the nation. He also enlisted garden clubs, and arts societies to come up with aesthetic recommendations.

“Everybody took part in these things,”Beardensays.

In 2016, Memphis Mayor Jim Strickland is having his Crump moment.

“When I go to neighborhood meetings and someone says we need to clean up blight, that’s my responsibility,” Strickland says.

The city’s Blight Elimination Charter is one of the most comprehensive clean-up plans in decades. It also relies on the participation of nonprofit groups, private entities and even other governments.

But Strickland’s task is much larger than Crump’s. The very definition of blight has changed since Keep America Beautiful produced its famous anti-litter advertisement of the tearful Native-American that would induce televised guilt throughout the1970s.

After the subprime mortgage crisis of 2007, millions of Americans abandoned their homes. Banks couldn’t keep up the properties. Neighborhoods were beset with worsening eyesores, causing neighboring property values to decrease and more residents to walk away.

CecileCarson, vice president of litter and affiliate relations for Keep America Beautiful, says that the decay and abandonment once associated with inner cities was suddenly everywhere. Like the problem of litter in decades past, she says it finally became “connected to this sense of place where we all live.”

Housing experts like DanImmerglockof Georgia Tech have underscored the new definition of blight as “vacant, physically distressed buildings.” Numerous studies on the housing blight phenomenon have led cities into aggressive blight reduction campaigns through the use of demolition.

And that complicates the notion of a clean Memphis, because cleaning up some communities could also mean radically changing them.

“I don’t think the answer to fighting blight is destroying buildings,” says Orange Mound resident Mary Mitchell who feels the removal strategy chips away at a neighborhood’s history and identity.

Mitchell says that rediscovering Memphis beauty should start with re-igniting an interest in beauty itself. “Anything ugly with the right creative expression can be transformed into beauty,” she says.

Linda Steele, director for community engagement atArtsMemphis, came to Orange Mound to connect arts funding to the real stakeholders who benefit from it.

“We really need the community to be a major part of identifying the solutions,” she says.

LueEllaMarshall had a simple solution for the litter problem in Orange Mound. Garbage cans. Pedestrians had no place to put trash. She askedArtsMemphisfor a grant.  Now, brightly painted garbage cans – or Art Cans, as they’re called – encourage cleaner streets.

But Marshall didn’t foresee the barrier between city and citizen. She and her husband have to empty those garbage cans themselves. On the street, it’s called litter. In the cans it’s called Marshall’s responsibility.

“Igottado what I have to do,” Marshall says.

Mitchell says that a renaissance of Memphis beauty is possible.

“WhatLueEllais doing is the evolution of a process that began right here in the1930swith E.H. Crump,” Mitchell says.

But this time, the city and its people are employing different avenues to get there.

What photos would you put into a 2016 version of this Memphis postcard?
What photos would you put into a 2016 version of this Memphis postcard?

NEXT: City of Grit, Part 3. What is it about all those old, graffiti covered warehouses and mysterious, seemingly forgotten areas of town where only the most adventurous go? Is there something beautiful in the rugged character of Memphis that we’re overlooking?

Copyright 2016 WKNO

A native "Florida Man," Christopher started in this business as a copy clerk at the renowned St. Petersburg Times before persuading editors to let him write. He moved to Memphis in 2001 to cover arts and entertainment at the Commercial Appeal. Since then, he has contributed to nearly every publication in Shelby County, writing features on everything from the Civil War to Civil Rights. Also, Elvis... a lot of Elvis.
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