Nate Chinen

For many observers of modern jazz, pianist Jason Moran became a known entity 20 years ago, with the release of his debut album. For Adrienne Edwards, curator of performance at the Whitney Museum of American Art, his name first circulated more recently, as a kind of rumor.

"There is never any end," John Coltrane said sometime in the mid-1960s, at the height of his powers. "There are always new sounds to imagine; new feelings to get at." Coltrane, one of jazz's most revered saxophonists, was speaking to Nat Hentoff about an eternal quest — a compulsion to reach toward the next horizon, and the next.

Blue Note Records: Beyond the Notes, a stylish and engaging new documentary by Sophie Huber, opens in the recording studio, with a top-tier crew of modern jazz musicians going about their business. From his station behind a keyboard rig, Robert Glasper calls out ideas for an arrangement; Ambrose Akinmusire's trumpet, warming up, can be heard in the background. An establishing shot introduces Don Was, the musical polymath serving as Blue Note's president, as a hipster Buddha in the control booth.

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For as long as Esperanza Spalding has been in the public eye, she's been defined in part by her hair.

A wave of shock and sadness moved through the jazz community on Sunday, with news of the death of Lawrence Lo Leathers, a drummer with a steadfast presence in the modern jazz mainstream.

Leathers was 37. He was killed on Sunday in the hallway of an apartment building on East 141st Street in the Bronx neighborhood of Mott Haven, according to Detective Martin Brown of the NYPD. The police have arrested a suspect in connection to the incident.

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