Community Calendar

"""Becoming,"" the second exhibition in its 2026 art series ""Sanctuary: Finding Refuge, Building Community."" The exhibition features the work of Mary Springer, Robbin Robertson, and Megan Kirk—three artists whose diverse practices explore transformation, identity, and the unfolding of authenticity that happens when we feel safe enough to change.
""Becoming"" examines sanctuary not as a static place of arrival, but as a dynamic space of metamorphosis. The exhibition asks: What happens when we find refuge? How do we grow, heal, and discover who we're meant to be when we're finally free to transform?
FEATURED ARTISTS:
Mary Springer brings four decades of artistic evolution to this exploration. A Memphis College of Art graduate (BFA, 1974) who studied with Philip Pearlstein and pursued self-guided studies in Italy and France, Springer's career spans roles as Design Artist for the City of Memphis, appointee to the Arkansas Arts Council under Governor Bill Clinton, and co-founder of Eureka Springs' beloved White Street Walk. Her work has been exhibited from the University of Arkansas to private collections including that of Helen Walton, and is held in the permanent collection of the Museum of Eureka Springs Art. Springer's journey—from gallery owner of WilloSpring Gallery of Fine Art to establishing Mary Springer Fine Art in 2014—embodies the exhibition's theme of continuous becoming.
Robbin Robertson, a Texas A&M graduate and fourth-generation folk artist, creates colorful, whimsical multi-media works spanning canvas, wooden and metal collages, and photography. Her vibrant folk art style draws inspiration from travels across Europe, Latin America, South America, Asia, Hawaii, and the Caribbean. Robertson's work, currently represented by galleries from St. Thomas to Corpus Christi, reflects a life spent in constant creative exploration—carrying forward a family legacy while forging her own distinctive vision. Her art celebrates the joy found in transformation and cultural exchange.
Megan Kirk has spent 20 years capturing the essence of Eureka Springs through her lens, documenting the town's evolving identity through yard art, parades, street art, local characters, springs, and her powerful ""Signs & Civil Rights"" collection. What began as a pandemic project five years ago has blossomed into a remarkable body of work, with over 1,000 prints sold and exhibitions in galleries throughout downtown Eureka Springs. Kirk's photography chronicles both personal and communal becoming—the ways a community grows, changes, and finds its voice over time."

Keith Haring in 3D is the first exhibition to highlight Keith Haring’s work in three dimensions, inviting visitors to move through, around, and within his art like never before. In the course of his short life, Keith Haring transmitted across a dizzying range of creative channels: painting, sculpture, installation, video, murals, performance, printmaking, early digital art, and more. While Haring helped define the look and mood of the 1980s, he also saw clearly a future that has become our present.

Haring is typically thought of as primarily a two-dimensional artist, but Keith Haring in 3D focuses on a lesser-known and highly compelling aspect of Haring’s practice as a sculptor. He created hundreds of three-dimensional artworks, beginning with painting objects he found in the street. Eventually, Haring made monumental sculptures in wood and metal, and even a whole store for his art.

Haring was, above all, a master of line, with an instinctive ability to compose on multiple scales. Haring’s work in three dimensions has never been the focus of a major exhibition and has rarely been shown. Keith Haring in 3D will fill this gap in public understanding by showcasing a wide range of Haring’s works, including sculpture, totems and masks, skateboards, clothing, boomboxes, paintings, drawings, and even a 1963 Buick Special. The exhibition will be accompanied by a major book published by Phaidon/Monacelli.

British artist Lucy Sparrow is internationally renowned for her unique and immersive installations filled with thousands of items, all meticulously handcrafted from felt. Through her work, Sparrow transforms everyday retail environments into playful, nostalgic, and tactile worlds that are both familiar and entirely new. Lucy Sparrow: The Beginning of Convenience, Sparrow’s first museum exhibition in the United States, will take visitors back in time through an immersive “time capsule” installation of a 1980s-90s Walmart-inspired supermarket.

Expanding on her extensive archival research practice, The Beginning of Convenience includes more than 20,000 individually hand-crafted and exquisitely detailed felt replicas of supermarket products, ranging from food and beverage items to beauty products and household goods typical of a not-so-distant past. Throughout the exhibition, Sparrow will explore a particular moment in history that she refers to as the “beginning of convenience,” a time when the rise of dual-income households in the 1980s necessitated consumer goods that prioritized speed and convenience over effort and taste. Changing roles within the household led to the development and proliferation of quick and easy consumer goods, such as microwave dinners, frozen foods, and out-of-the-box meals.

In addition to the supermarket experience, The Beginning of Convenience will feature a built replica of Sparrow’s studio – known as the Felt Cave – and a new self-made documentary that follows Sparrow’s work in the months leading up to the exhibition at the Momentary.

Free, no tickets required.

Chuck Ramirez (1962-2010) was a San Antonio-based artist with a reverence for material culture. For many years, his day job was as a graphic designer and art director for the Texas grocery chain H-E-B. In his commercial work, he helped sell products that lined store shelves and filled home pantries. Ramirez’s photographs will prompt viewers to consider that the goods people buy, consume, discard, or treasure are more than just things; they are evidence of life. In the photographs, the artist positioned material culture as reflections of humanity, community, memory, and loss.

In his artwork, Ramirez often recast commercial products as windows onto the people who consumed them. Ramirez’s affinity for everyday “stuff” was a continuous thread throughout his practice. The artist’s ability to find wonder in the ordinary takes center stage in this exhibition.

Free, no tickets required.

"""Becoming,"" the second exhibition in its 2026 art series ""Sanctuary: Finding Refuge, Building Community."" The exhibition features the work of Mary Springer, Robbin Robertson, and Megan Kirk—three artists whose diverse practices explore transformation, identity, and the unfolding of authenticity that happens when we feel safe enough to change.
""Becoming"" examines sanctuary not as a static place of arrival, but as a dynamic space of metamorphosis. The exhibition asks: What happens when we find refuge? How do we grow, heal, and discover who we're meant to be when we're finally free to transform?
FEATURED ARTISTS:
Mary Springer brings four decades of artistic evolution to this exploration. A Memphis College of Art graduate (BFA, 1974) who studied with Philip Pearlstein and pursued self-guided studies in Italy and France, Springer's career spans roles as Design Artist for the City of Memphis, appointee to the Arkansas Arts Council under Governor Bill Clinton, and co-founder of Eureka Springs' beloved White Street Walk. Her work has been exhibited from the University of Arkansas to private collections including that of Helen Walton, and is held in the permanent collection of the Museum of Eureka Springs Art. Springer's journey—from gallery owner of WilloSpring Gallery of Fine Art to establishing Mary Springer Fine Art in 2014—embodies the exhibition's theme of continuous becoming.
Robbin Robertson, a Texas A&M graduate and fourth-generation folk artist, creates colorful, whimsical multi-media works spanning canvas, wooden and metal collages, and photography. Her vibrant folk art style draws inspiration from travels across Europe, Latin America, South America, Asia, Hawaii, and the Caribbean. Robertson's work, currently represented by galleries from St. Thomas to Corpus Christi, reflects a life spent in constant creative exploration—carrying forward a family legacy while forging her own distinctive vision. Her art celebrates the joy found in transformation and cultural exchange.
Megan Kirk has spent 20 years capturing the essence of Eureka Springs through her lens, documenting the town's evolving identity through yard art, parades, street art, local characters, springs, and her powerful ""Signs & Civil Rights"" collection. What began as a pandemic project five years ago has blossomed into a remarkable body of work, with over 1,000 prints sold and exhibitions in galleries throughout downtown Eureka Springs. Kirk's photography chronicles both personal and communal becoming—the ways a community grows, changes, and finds its voice over time."

Keith Haring in 3D is the first exhibition to highlight Keith Haring’s work in three dimensions, inviting visitors to move through, around, and within his art like never before. In the course of his short life, Keith Haring transmitted across a dizzying range of creative channels: painting, sculpture, installation, video, murals, performance, printmaking, early digital art, and more. While Haring helped define the look and mood of the 1980s, he also saw clearly a future that has become our present.

Haring is typically thought of as primarily a two-dimensional artist, but Keith Haring in 3D focuses on a lesser-known and highly compelling aspect of Haring’s practice as a sculptor. He created hundreds of three-dimensional artworks, beginning with painting objects he found in the street. Eventually, Haring made monumental sculptures in wood and metal, and even a whole store for his art.

Haring was, above all, a master of line, with an instinctive ability to compose on multiple scales. Haring’s work in three dimensions has never been the focus of a major exhibition and has rarely been shown. Keith Haring in 3D will fill this gap in public understanding by showcasing a wide range of Haring’s works, including sculpture, totems and masks, skateboards, clothing, boomboxes, paintings, drawings, and even a 1963 Buick Special. The exhibition will be accompanied by a major book published by Phaidon/Monacelli.

British artist Lucy Sparrow is internationally renowned for her unique and immersive installations filled with thousands of items, all meticulously handcrafted from felt. Through her work, Sparrow transforms everyday retail environments into playful, nostalgic, and tactile worlds that are both familiar and entirely new. Lucy Sparrow: The Beginning of Convenience, Sparrow’s first museum exhibition in the United States, will take visitors back in time through an immersive “time capsule” installation of a 1980s-90s Walmart-inspired supermarket.

Expanding on her extensive archival research practice, The Beginning of Convenience includes more than 20,000 individually hand-crafted and exquisitely detailed felt replicas of supermarket products, ranging from food and beverage items to beauty products and household goods typical of a not-so-distant past. Throughout the exhibition, Sparrow will explore a particular moment in history that she refers to as the “beginning of convenience,” a time when the rise of dual-income households in the 1980s necessitated consumer goods that prioritized speed and convenience over effort and taste. Changing roles within the household led to the development and proliferation of quick and easy consumer goods, such as microwave dinners, frozen foods, and out-of-the-box meals.

In addition to the supermarket experience, The Beginning of Convenience will feature a built replica of Sparrow’s studio – known as the Felt Cave – and a new self-made documentary that follows Sparrow’s work in the months leading up to the exhibition at the Momentary.

Free, no tickets required.

Chuck Ramirez (1962-2010) was a San Antonio-based artist with a reverence for material culture. For many years, his day job was as a graphic designer and art director for the Texas grocery chain H-E-B. In his commercial work, he helped sell products that lined store shelves and filled home pantries. Ramirez’s photographs will prompt viewers to consider that the goods people buy, consume, discard, or treasure are more than just things; they are evidence of life. In the photographs, the artist positioned material culture as reflections of humanity, community, memory, and loss.

In his artwork, Ramirez often recast commercial products as windows onto the people who consumed them. Ramirez’s affinity for everyday “stuff” was a continuous thread throughout his practice. The artist’s ability to find wonder in the ordinary takes center stage in this exhibition.

Free, no tickets required.

"""Becoming,"" the second exhibition in its 2026 art series ""Sanctuary: Finding Refuge, Building Community."" The exhibition features the work of Mary Springer, Robbin Robertson, and Megan Kirk—three artists whose diverse practices explore transformation, identity, and the unfolding of authenticity that happens when we feel safe enough to change.
""Becoming"" examines sanctuary not as a static place of arrival, but as a dynamic space of metamorphosis. The exhibition asks: What happens when we find refuge? How do we grow, heal, and discover who we're meant to be when we're finally free to transform?
FEATURED ARTISTS:
Mary Springer brings four decades of artistic evolution to this exploration. A Memphis College of Art graduate (BFA, 1974) who studied with Philip Pearlstein and pursued self-guided studies in Italy and France, Springer's career spans roles as Design Artist for the City of Memphis, appointee to the Arkansas Arts Council under Governor Bill Clinton, and co-founder of Eureka Springs' beloved White Street Walk. Her work has been exhibited from the University of Arkansas to private collections including that of Helen Walton, and is held in the permanent collection of the Museum of Eureka Springs Art. Springer's journey—from gallery owner of WilloSpring Gallery of Fine Art to establishing Mary Springer Fine Art in 2014—embodies the exhibition's theme of continuous becoming.
Robbin Robertson, a Texas A&M graduate and fourth-generation folk artist, creates colorful, whimsical multi-media works spanning canvas, wooden and metal collages, and photography. Her vibrant folk art style draws inspiration from travels across Europe, Latin America, South America, Asia, Hawaii, and the Caribbean. Robertson's work, currently represented by galleries from St. Thomas to Corpus Christi, reflects a life spent in constant creative exploration—carrying forward a family legacy while forging her own distinctive vision. Her art celebrates the joy found in transformation and cultural exchange.
Megan Kirk has spent 20 years capturing the essence of Eureka Springs through her lens, documenting the town's evolving identity through yard art, parades, street art, local characters, springs, and her powerful ""Signs & Civil Rights"" collection. What began as a pandemic project five years ago has blossomed into a remarkable body of work, with over 1,000 prints sold and exhibitions in galleries throughout downtown Eureka Springs. Kirk's photography chronicles both personal and communal becoming—the ways a community grows, changes, and finds its voice over time."

The Rogers Historical Museum presents the upcoming temporary exhibit, “Ozark Tourism: Land of a Million Smiles.” The exhibit will be on display in the Trammel Gallery from April 25, 2026-April 1, 2028.

People have been drawn to the natural beauty and recreational wonders that Northwest Arkansas has to offer for over a century. From the natural springs and rivers to historic sites and museums, tourism has become one of the region’s leading industries.

This exhibit shares the history of tourism in the Ozarks of Northwest Arkansas, exploring everything from places promoting fresh, healing spring waters, such as the resort towns of Monte Ne and Bella Vista, to modern recreational pastimes that make tourism a billion-dollar industry in the state.