Community Calendar

Keith Haring in 3D is the first exhibition to highlight Keith Haring’s work in three dimensions, inviting visitors to move through, around, and within his art like never before. In the course of his short life, Keith Haring transmitted across a dizzying range of creative channels: painting, sculpture, installation, video, murals, performance, printmaking, early digital art, and more. While Haring helped define the look and mood of the 1980s, he also saw clearly a future that has become our present.

Haring is typically thought of as primarily a two-dimensional artist, but Keith Haring in 3D focuses on a lesser-known and highly compelling aspect of Haring’s practice as a sculptor. He created hundreds of three-dimensional artworks, beginning with painting objects he found in the street. Eventually, Haring made monumental sculptures in wood and metal, and even a whole store for his art.

Haring was, above all, a master of line, with an instinctive ability to compose on multiple scales. Haring’s work in three dimensions has never been the focus of a major exhibition and has rarely been shown. Keith Haring in 3D will fill this gap in public understanding by showcasing a wide range of Haring’s works, including sculpture, totems and masks, skateboards, clothing, boomboxes, paintings, drawings, and even a 1963 Buick Special. The exhibition will be accompanied by a major book published by Phaidon/Monacelli.

"""Becoming,"" the second exhibition in its 2026 art series ""Sanctuary: Finding Refuge, Building Community."" The exhibition features the work of Mary Springer, Robbin Robertson, and Megan Kirk—three artists whose diverse practices explore transformation, identity, and the unfolding of authenticity that happens when we feel safe enough to change.
""Becoming"" examines sanctuary not as a static place of arrival, but as a dynamic space of metamorphosis. The exhibition asks: What happens when we find refuge? How do we grow, heal, and discover who we're meant to be when we're finally free to transform?
FEATURED ARTISTS:
Mary Springer brings four decades of artistic evolution to this exploration. A Memphis College of Art graduate (BFA, 1974) who studied with Philip Pearlstein and pursued self-guided studies in Italy and France, Springer's career spans roles as Design Artist for the City of Memphis, appointee to the Arkansas Arts Council under Governor Bill Clinton, and co-founder of Eureka Springs' beloved White Street Walk. Her work has been exhibited from the University of Arkansas to private collections including that of Helen Walton, and is held in the permanent collection of the Museum of Eureka Springs Art. Springer's journey—from gallery owner of WilloSpring Gallery of Fine Art to establishing Mary Springer Fine Art in 2014—embodies the exhibition's theme of continuous becoming.
Robbin Robertson, a Texas A&M graduate and fourth-generation folk artist, creates colorful, whimsical multi-media works spanning canvas, wooden and metal collages, and photography. Her vibrant folk art style draws inspiration from travels across Europe, Latin America, South America, Asia, Hawaii, and the Caribbean. Robertson's work, currently represented by galleries from St. Thomas to Corpus Christi, reflects a life spent in constant creative exploration—carrying forward a family legacy while forging her own distinctive vision. Her art celebrates the joy found in transformation and cultural exchange.
Megan Kirk has spent 20 years capturing the essence of Eureka Springs through her lens, documenting the town's evolving identity through yard art, parades, street art, local characters, springs, and her powerful ""Signs & Civil Rights"" collection. What began as a pandemic project five years ago has blossomed into a remarkable body of work, with over 1,000 prints sold and exhibitions in galleries throughout downtown Eureka Springs. Kirk's photography chronicles both personal and communal becoming—the ways a community grows, changes, and finds its voice over time."

Ozark Folkways on Highway 71 in Winslow will host a potluck dinner and evening of traditional dancing! Starting the evening at 6:00 will be a potluck dinner, followed by Old Time Square dancing called by Steve Green, Abby Hollis, and friends. Bring a dish, entree, snack, or beverage to share. Then at 7pm dancing will start with squares and two-steps to live music. All dances are taught and beginner friendly. Partners not required. $10 admission supports the performers and the mission of Ozark Folkways.

Keith Haring in 3D is the first exhibition to highlight Keith Haring’s work in three dimensions, inviting visitors to move through, around, and within his art like never before. In the course of his short life, Keith Haring transmitted across a dizzying range of creative channels: painting, sculpture, installation, video, murals, performance, printmaking, early digital art, and more. While Haring helped define the look and mood of the 1980s, he also saw clearly a future that has become our present.

Haring is typically thought of as primarily a two-dimensional artist, but Keith Haring in 3D focuses on a lesser-known and highly compelling aspect of Haring’s practice as a sculptor. He created hundreds of three-dimensional artworks, beginning with painting objects he found in the street. Eventually, Haring made monumental sculptures in wood and metal, and even a whole store for his art.

Haring was, above all, a master of line, with an instinctive ability to compose on multiple scales. Haring’s work in three dimensions has never been the focus of a major exhibition and has rarely been shown. Keith Haring in 3D will fill this gap in public understanding by showcasing a wide range of Haring’s works, including sculpture, totems and masks, skateboards, clothing, boomboxes, paintings, drawings, and even a 1963 Buick Special. The exhibition will be accompanied by a major book published by Phaidon/Monacelli.

"""Becoming,"" the second exhibition in its 2026 art series ""Sanctuary: Finding Refuge, Building Community."" The exhibition features the work of Mary Springer, Robbin Robertson, and Megan Kirk—three artists whose diverse practices explore transformation, identity, and the unfolding of authenticity that happens when we feel safe enough to change.
""Becoming"" examines sanctuary not as a static place of arrival, but as a dynamic space of metamorphosis. The exhibition asks: What happens when we find refuge? How do we grow, heal, and discover who we're meant to be when we're finally free to transform?
FEATURED ARTISTS:
Mary Springer brings four decades of artistic evolution to this exploration. A Memphis College of Art graduate (BFA, 1974) who studied with Philip Pearlstein and pursued self-guided studies in Italy and France, Springer's career spans roles as Design Artist for the City of Memphis, appointee to the Arkansas Arts Council under Governor Bill Clinton, and co-founder of Eureka Springs' beloved White Street Walk. Her work has been exhibited from the University of Arkansas to private collections including that of Helen Walton, and is held in the permanent collection of the Museum of Eureka Springs Art. Springer's journey—from gallery owner of WilloSpring Gallery of Fine Art to establishing Mary Springer Fine Art in 2014—embodies the exhibition's theme of continuous becoming.
Robbin Robertson, a Texas A&M graduate and fourth-generation folk artist, creates colorful, whimsical multi-media works spanning canvas, wooden and metal collages, and photography. Her vibrant folk art style draws inspiration from travels across Europe, Latin America, South America, Asia, Hawaii, and the Caribbean. Robertson's work, currently represented by galleries from St. Thomas to Corpus Christi, reflects a life spent in constant creative exploration—carrying forward a family legacy while forging her own distinctive vision. Her art celebrates the joy found in transformation and cultural exchange.
Megan Kirk has spent 20 years capturing the essence of Eureka Springs through her lens, documenting the town's evolving identity through yard art, parades, street art, local characters, springs, and her powerful ""Signs & Civil Rights"" collection. What began as a pandemic project five years ago has blossomed into a remarkable body of work, with over 1,000 prints sold and exhibitions in galleries throughout downtown Eureka Springs. Kirk's photography chronicles both personal and communal becoming—the ways a community grows, changes, and finds its voice over time."

Keith Haring in 3D is the first exhibition to highlight Keith Haring’s work in three dimensions, inviting visitors to move through, around, and within his art like never before. In the course of his short life, Keith Haring transmitted across a dizzying range of creative channels: painting, sculpture, installation, video, murals, performance, printmaking, early digital art, and more. While Haring helped define the look and mood of the 1980s, he also saw clearly a future that has become our present.

Haring is typically thought of as primarily a two-dimensional artist, but Keith Haring in 3D focuses on a lesser-known and highly compelling aspect of Haring’s practice as a sculptor. He created hundreds of three-dimensional artworks, beginning with painting objects he found in the street. Eventually, Haring made monumental sculptures in wood and metal, and even a whole store for his art.

Haring was, above all, a master of line, with an instinctive ability to compose on multiple scales. Haring’s work in three dimensions has never been the focus of a major exhibition and has rarely been shown. Keith Haring in 3D will fill this gap in public understanding by showcasing a wide range of Haring’s works, including sculpture, totems and masks, skateboards, clothing, boomboxes, paintings, drawings, and even a 1963 Buick Special. The exhibition will be accompanied by a major book published by Phaidon/Monacelli.

"""Becoming,"" the second exhibition in its 2026 art series ""Sanctuary: Finding Refuge, Building Community."" The exhibition features the work of Mary Springer, Robbin Robertson, and Megan Kirk—three artists whose diverse practices explore transformation, identity, and the unfolding of authenticity that happens when we feel safe enough to change.
""Becoming"" examines sanctuary not as a static place of arrival, but as a dynamic space of metamorphosis. The exhibition asks: What happens when we find refuge? How do we grow, heal, and discover who we're meant to be when we're finally free to transform?
FEATURED ARTISTS:
Mary Springer brings four decades of artistic evolution to this exploration. A Memphis College of Art graduate (BFA, 1974) who studied with Philip Pearlstein and pursued self-guided studies in Italy and France, Springer's career spans roles as Design Artist for the City of Memphis, appointee to the Arkansas Arts Council under Governor Bill Clinton, and co-founder of Eureka Springs' beloved White Street Walk. Her work has been exhibited from the University of Arkansas to private collections including that of Helen Walton, and is held in the permanent collection of the Museum of Eureka Springs Art. Springer's journey—from gallery owner of WilloSpring Gallery of Fine Art to establishing Mary Springer Fine Art in 2014—embodies the exhibition's theme of continuous becoming.
Robbin Robertson, a Texas A&M graduate and fourth-generation folk artist, creates colorful, whimsical multi-media works spanning canvas, wooden and metal collages, and photography. Her vibrant folk art style draws inspiration from travels across Europe, Latin America, South America, Asia, Hawaii, and the Caribbean. Robertson's work, currently represented by galleries from St. Thomas to Corpus Christi, reflects a life spent in constant creative exploration—carrying forward a family legacy while forging her own distinctive vision. Her art celebrates the joy found in transformation and cultural exchange.
Megan Kirk has spent 20 years capturing the essence of Eureka Springs through her lens, documenting the town's evolving identity through yard art, parades, street art, local characters, springs, and her powerful ""Signs & Civil Rights"" collection. What began as a pandemic project five years ago has blossomed into a remarkable body of work, with over 1,000 prints sold and exhibitions in galleries throughout downtown Eureka Springs. Kirk's photography chronicles both personal and communal becoming—the ways a community grows, changes, and finds its voice over time."

The Ozark Center for Lifestyle Medicine is hosting its monthly whole food plant-based (WFPB) potluck meal on the second Monday of each month, and we’d love to have you join us tonight!

This community event is a wonderful opportunity to savor beautiful, delicious, healthy food, learn more about plant-based eating, and meet folks who are wanting to take a proactive role in restoring their bodies to optimal health and vitality!

We will hear the stories of some who have experienced the power of a plant-based diet to heal, and you’ll have an opportunity to “ask the doc” of Dr. Morgan, a Lifestyle Medicine physician, any questions you may have about plant-based eating, and lifestyle medicine in general. Dr. Morgan will also give a short presentation on how Lifestyle Medicine can help treat, prevent, and reverse disease.

If you can make it, just bring a dish that is based on whole plants (with minimal to no oil and salt, and no animal products) to share. If you’re not the cooking type, feel free to bring some cut-up fruit or raw veggies. Anything real and minimally processed is welcome! We just want you to come!

Please feel free to invite anyone who may be interested in coming with you! (Your dish will cover for them). Also, if you have children, say 9 and up, who are interested in healthy living, feel free to bring them along as well!

RD holds secular, science-based addiction recovery support groups every Monday. We are LGBTQ+ and neurodivergent led/friendly. Harm reduction approaches welcomed. Sober curious folks are welcomed. Anyone questioning their relationship to substances is welcomed. No student observers, please.

Using principles learned from the Fundamentals, Figure/Head, and Painting classes, we’ll apply our knowledge and skills to Great Master artworks. We’ll learn watercolor basics (wet on wet,wet on dry, color mixing). Each week we’ll look at various artists such as Rubens, Rembrandt, Winslow Homer and more. From each, we’ll cover the human figure, landscapes, and abstracts.

All levels welcome!

Course Outline

Week 1: Overview/Review, Wet on Wet, Wet on Dry/Damp, Water Control, Brushes

Week 2: Simple Volumes, Visualizing simple masses, Value

Week 3: Monochrome, Using Black and Earth-tones

Week 4: Warm and Cools

Week 5: Color, Working with Primaries, Color Mixing

Week 6: Long-Form Master Study, Applying our skills to a single study