Community Calendar

Since the late 1990s, KAWS has been creating a cast of iconic characters steeped in the American zeitgeist that populate his work. Each with their own distinct personality pulled in part from their creator, these characters have been a constant throughline in the artist’s career. The exhibition takes its title and thematic jumping-off point from the sculpture titled FAMILY (2021), which brings together four of KAWS’ characters posed in the style of a family portrait. As witnessed throughout the show, the relationships between the figures can be complex, familiar, and astonishingly heartfelt entryways into human emotions.

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Front Row Center: Icons of Rock, Blues, and Soul charts photographer Larry Hulst’s extraordinary path through the pulsing heart of the most exciting live music of the twentieth century, showcasing a unique visual anthology of rock, blues, and soul music from 1970-1999. From Janis Joplin and Jimi Hendrix to David Bowie and Lauryn Hill, this exhibition brings together more than 70 images of legendary musicians across three genres and generations. Front Row Center grants viewers an all-access pass to some of the most memorable performances in popular music history.

These images, which have been featured on album art and Rolling Stone spreads, convey Hulst’s lifelong passion for the magnetism, immediacy, and unpredictability of live music. With photos that also document the unforgettable voices of funk, punk, and beyond, Front Row Center grants viewers an all-access pass to some of the most memorable performances in popular music history.

Front Row Center: Icons of Rock, Blues, and Soul is organized and toured by International Arts & Artists, Washington, DC.

Widely known as the godfather of music photography, the late Jim Marshall maintained a 50-year career that resulted in more than 500 album covers, an abundance of magazine covers, and some of the most celebrated images in blues, jazz, country, and rock and roll, including those from Johnny Cash’s notable Folsom and San Quentin prison concerts. Organized by the GRAMMY Museum, The Prison Concerts: Folsom and San Quentin (Jim Marshall’s Photographs of Johnny Cash) showcases these powerful snapshots of a legendary musician by a legendary photographer.

The exhibition is comprised of 25 photographs documenting the two concerts in 1968 and 1969, including candid and performance images that helped solidify Cash’s status as an outlaw king. A staunch advocate for prisoners’ rights, Cash did these concerts to shine a light on the terrible conditions and prisoner abuse that were rampant at the time. Personally requested by Cash himself, Marshall was the only official photographer present at the concerts. He was granted unlimited access to Cash, June Carter, and their entourage.

The Prison Concerts captures the spirit of two artists at the height of their creative powers.

The Machine Behind the Art: Inside JR’s Printing Press is one of JR’s most extensive immersive and experiential works to date. After taking portraits in one of three individual photo booths, visitors enter the interior of an oversized, whirring printing press – turning their image into a tangible work of art while offering a glimpse into the creative process of JR. After the experience, visitors leave with their own, one-of-a-kind print.

Member Perk: Momentary members receive two free prints per visit. Just reserve your timed ticket online or with the Box Office, and your discount will be applied at checkout!

Timed portrait tickets are $20 (Free for members), reserve your timeslot online or with the Box Office at (479) 657-2335.
Timed portrait tickets include one oversized photo portrait and admission for up to three people. Digital copies of your photo will be available after your visit.
If you do not plan on taking a portrait during your visit, no purchase is required to attend The Machine Behind the Art: Inside JR’s Printing Press.

Learn the fundamentals of floral design and take home your own living work of art!

Guided by professional florist Althea Wiles, you’ll explore step-by-step techniques to create a vase arrangement inspired by Wisteria Table Lamp by Clara Driscoll. Using a harmonious palette of blue, white, and yellow blooms, you’ll design a stunning floral piece that echoes the beauty and intricacy of stained glass.

Tickets are $80 ($65 for members), reserve your spot online or with Guest Experience at (479) 657-2335 today.
All materials are included with your ticket—just bring your creativity!

Participants will learn the basics of needle felting with wool, an art that shapes wool into three dimensional forms with simple and easy to use tools. In this class, students will construct a colorful mushroom.
Class is limited to people ages 14 and up. Workshop fee includes all materials.

Join us for a guided exploration of nature and art!

A gallery guide will lead you through Art in Bloom, showcasing stunning floral arrangements alongside inspiring artworks. This free tour is open to all—meet your guide in Garrison Lobby to join the experience.

Free, no registration required.

Learn how to make Martha Stewart–worthy floral arrangements like the ones you see on social media!

Join floral designer Althea Wiles for a hands-on class where you’ll create your own elegant arrangement in a footed compote vase—aka the kind of vessel that makes your flowers look instantly fabulous. Drawing inspiration from Clara Driscoll’s Wisteria Table Lamp, you’ll work with a chic palette of blue, white, and yellow blooms to channel stained glass vibes in fresh flower form.

We’ll cover how to build movement, balance, and that effortlessly lush look, whether you go for a crescent shape or a garden-style design. This class is perfect for folks with a bit of floral experience who are ready to level up. You’ll walk away with serious skills, serious style, and a stunning centerpiece that’ll have your friends asking, “Wait… you made that?!”

Tickets are $105 ($85 for members), reserve your spot online or with Guest Experience at (479) 657-2335 today.

"Through mixed media, yet divergent styles, Amber and Sandra take the viewer on an exploration of the power of nature to ignite, to inspire, to nurture, to calm the human spirit. Sandra Spotts is a native of Little Rock, Arkansas and a current resident of Eureka Springs, Arkansas. She cultivated a love for art at a very early age which led to earning a degree in Art from the University of Arkansas with a minor in English.
Sandra spent many years teaching elementary and junior high art as well as working as a professional artist and designer. In addition to painting, usually in an abstract expressionist style, she has worked and exhibited as a weaver, paper maker and creator of sculptural contemporary basketry, winning several awards. One of her works is a part of the permanent collection of the Art Museum of Arkansas.
Her love of writing and storytelling influences her mixed media painting style in which she often incorporates fragments of letters, books and other found objects and original prose. Her themes are often highly personal and emotional responses to life events, observation of nature or global events. Sandra is co-producer and performer on the live storytelling show, “Homegrown Tales.”
She currently exhibits regionally and nationally. Amber Leibee, a watercolorist and amateur naturalist. My artistic intention is to record the profound peace inherent to silent moments of solitary study and observation of the natural world. My works are small, meant for an audience of one, an intimate exchange between artist and viewer. I am influenced by Muriel Foster, Alexander von Humboldt, and Clare Walker Leslie. All paints used in my palette are hand mulled using water from a local spring, this process helps me understand how my pigments will mix and behave together on paper. The majority of my work is done en plein air, rendered first in graphite, then watercolor, and on occasion finished with pen and ink details. Amber Leibee is a watercolorist and amateur naturalist. Her artistic intention is to record the profound peace inherent to silent moments of solitary study and observation of the natural world. Her works are small, meant for an audience of one, an intimate exchange between artist and viewer. She is influenced by Muriel Foster, Alexander von Humboldt, and Clare Walker Leslie. All paints used in her palette are hand mulled using water from a local spring, this process helps her understand how my pigments will mix and behave together on paper. The majority of her work is done en plein air, rendered first in graphite, then watercolor, and on occasion finished with pen and ink details. "