Jan 21 Thursday
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A 6-week class series led by Janira Rios on handbuilding with clay.
In this six-week course, students will be introduced to the foundations of handbuilt ceramics through gentle, accessible explorations of pinch, coil, and slab techniques. Designed with beginners in mind, this class emphasizes curiosity, experimentation, and mindful making in a supportive studio environment where process matters as much as product.
Participants will receive up to 25 pounds of clay, along with access to studio glazes, allowing them to develop and complete a collection of fired works to take home at the end of the course.
Each session will include clear demonstrations, reflective discussions, and generous hands on studio time. Students will be guided through thoughtfully planned exercises that build confidence and foundational skills while also encouraging creative planning, sketching, and personal exploration in clay. Space will be made for individual projects that reflect each student’s interests, ideas, and evolving style.
By the end of the course, students will have a deeper understanding of basic handbuilding methods, material awareness, and finishing techniques, along with a meaningful body of functional and/or sculptural pieces that reflect their creative journey in clay.
Classes meet from 6-8PM on Thursdays for 6 weeks:
August 6thAugust 13thAugust 20thAugust 27thSeptember 3rdSeptember 10thTeacher: Janira Rios-Campos
Janira Rios-Campos is a ceramic artist in Northwest Arkansas specializing in functional pieces through handbuilding and wheel throwing. As the Clay Studio Assistant at Mt. Sequoyah, she enhances her skills through study and experiementation. Janira values midful making and the tactile process of working with clay. Janira is also a fluent spanish speaker and can teach bi-lingual lessons if necessary
This 6-week course introduces students to making pottery on the wheel and engages every stage of the ceramic cycle. It begins with throwing wet clay into basic forms like bowls and cups, then moves into trimming and modifying those leather-hard pieces, and finally glazing them. At the end of the course participants will be able to take home their finished, functional, handmade works of art.
Classes meet every Thursday from 6PM-8PM for 6 weeks, starting September 17th and ends October 22nd.
9/17
9/24
10/1
10/8
10/15
10/22
Raine's Bio: Raine Ransom was used to working in 3D spaces long before they started pottery. Initially a 3D artist for video games, Raine loved interacting with any object they could get their hands on to dissect and recreate its appeal. Moving from San Francisco, CA, they decided to pick up working with clay to help their work online but ended up falling in love with the challenge of the craft. They started throwing on the wheel in 2023 and since then they've been diligently honing their skills in order to make beautiful and unique pottery using Wild Clay they personally harvested and processed. Now, they teach ceramics to other students at multiple studios such as the Community Creative Center, Mount Sequoyah, and Imagine Studios. Raine is a current Mount Sequoyah Clay Studio member and has been excited to join the community.
$250 for all 6 classes, including clay and materials!
Jan 22 Friday
The Rogers Historical Museum presents the upcoming temporary exhibit, “Ozark Tourism: Land of a Million Smiles.” The exhibit will be on display in the Trammel Gallery from April 25, 2026-April 1, 2028.
People have been drawn to the natural beauty and recreational wonders that Northwest Arkansas has to offer for over a century. From the natural springs and rivers to historic sites and museums, tourism has become one of the region’s leading industries.
This exhibit shares the history of tourism in the Ozarks of Northwest Arkansas, exploring everything from places promoting fresh, healing spring waters, such as the resort towns of Monte Ne and Bella Vista, to modern recreational pastimes that make tourism a billion-dollar industry in the state.
Keith Haring in 3D is the first exhibition to highlight Keith Haring’s work in three dimensions, inviting visitors to move through, around, and within his art like never before. In the course of his short life, Keith Haring transmitted across a dizzying range of creative channels: painting, sculpture, installation, video, murals, performance, printmaking, early digital art, and more. While Haring helped define the look and mood of the 1980s, he also saw clearly a future that has become our present.
Haring is typically thought of as primarily a two-dimensional artist, but Keith Haring in 3D focuses on a lesser-known and highly compelling aspect of Haring’s practice as a sculptor. He created hundreds of three-dimensional artworks, beginning with painting objects he found in the street. Eventually, Haring made monumental sculptures in wood and metal, and even a whole store for his art.
Haring was, above all, a master of line, with an instinctive ability to compose on multiple scales. Haring’s work in three dimensions has never been the focus of a major exhibition and has rarely been shown. Keith Haring in 3D will fill this gap in public understanding by showcasing a wide range of Haring’s works, including sculpture, totems and masks, skateboards, clothing, boomboxes, paintings, drawings, and even a 1963 Buick Special. The exhibition will be accompanied by a major book published by Phaidon/Monacelli.
Jan 23 Saturday
Jan 24 Sunday